The Atlantics touring lineup is Jim Skiathitis (guitar), Martin Cilia (guitar), Haydn Pickersgill (bass) and Lloyd Gyi (drums).
We have been rehearsing at Peter Hood’s Atlantics studios in Earlwood for the upcoming tour, under the guidance of original Atlantics drummer and songwriter Peter Hood.
The Atlantics are heading over to Europe this summer for the Surfer Joe Summer Festival and the Instrumental Musick Festival in Finland. Keep an eye on the gigs page for more gig announcements.
Check out the new Atlantics CD “Collectibles”. Available now from the shop.
Check out the new Atlantics DVD “Live at Freshwater”. Available now from the shop.
RareCollections: Australia surf music in the ’60s.
1963 was a big year for surf culture in Australia. David Kilby and Jordie Kilby speak to Tex Ihasz (Denvermen), Peter Hood (Atlantics) and songwriter Joe Halford about the music of that year.
Midget Farrelly was winning surf contests around the world and teenagers were flocking to the beaches to try the sport for themselves. While Dick Dale, The Beach Boys, The Chantays and The Surfaris were releasing classic singles like Pipeline, Wipeout and Surfin’ Safari in the U.S, a handful of local bands were developing a homegrown soundtrack for the action
The Denvermen – Surfside – HMV Records
The Denvermen formed in 1961 and quickly drew attention around Sydney for their distinctive and polished sound. The band had a family connection to a local music store and so had access to the latest equipment including an Echolette effects unit which quickly set them apart. In 1962 the New Zealand born pop star Johnny Devlin became their manager. Their first single was unsuccessful but their second, Surfside, with its sampled surf SFX throughout was picked up by local DJ’s and hit number one on the Sydney charts in January of 1963.
The Atlantics – Bombora – CBS Records
The band named themselves after a brand of petrol (rather than the ocean) several years before they began developing their surf sound. A bona fide classic, Bombora was their second single and it was produced by Sven Libaek who knew it was a hit the moment he heard it. Oddly enough for a surf track it was released jn the middle of winter 1963. Its success saw it released overseas in countries like Japan, England and South America. It was single of the week in Cashbox magazine upon its release in the U.S.
Stompin’ At Maroubra – Little Pattie – HMV Records
Songwriting team Joe Halford and Jay Justin came up with this hit for Little Pattie at the end of 1963. The Stomp was a dance craze popular at surf clubs and beaches around the country. Johnny Devlin, Jimmy Hannan and Tony Brady were just a few of the stars of the day who released stomp singles in late ’63 and into 1964. The other side of the single was the memorable He’s My Blonde Headed Stompie Wompie Surfer Boy. Pattie was only 14 when the record was released.
Read the original article: http://www.abc.net.au/local/stories/2011/05/04/3207608.htm
May 28, 2011 by kustomkultureaustralia
Whenever you see a legendary band, there’s heaps of excitement, though it’s mixed with a tinge of nervousness – what happens if they’re just a bunch of old blokes going through the motions, with no mojo or stage presence? This was in the back of my mind last night when I checked out The Atlantics, and I’m stoked to say they were AWESOME!
The venue for the evening was The Vault in Windsor. I banged on about the place after I saw Ash Grunwald there, so I won’t bore you with the details – suffice to say it’s a great venue and the food is tops.
Proceedings were started by Glenn A. Baker, Aussie rock guru. He introduced the band and hyped up the crowd. He reminded us of the historical significance of the band, and how we were privileged to see some living legends perform right before our very eyes. And yes, he was wearing his trademark funny little hat.
The Atlantics set was fantastic. I think what really hit me was how powerful, how primal the music was live – cranked up and hitting you right in the chest. Sure the guitar was amazing, but the pounding drums rolled out an intoxicating and hypnotic surging rhythm. You know those days at the beach when there’s a storm front coming through, the wind is picking up and the waves are pounding onto the shore? There’s a tangible sense of energy and foreboding in the air, and man the sound just keeps coming. That’s the vibe you get right in front of the stage at an Atlantics gig. You could almost smell the salt air!
Some of the great covers included an awesome rendition of Pipeline (complete with dueling lead guitars), the Hawaii 5.0 theme, and the most beautiful rendition I’ve ever heard of Wedding Cake Island. As well as playing some of the bands newer stuff, they also delved into the back catalogue and pulled out classics like Come On, recorded in the bands ‘garage punk’ era (and it even included singing!). Of course Bombora got the crowd’s attention, and was definitely one of the highlights of the night. Finishing it all off was Saturday Night, with The Crusher as a fitting high energy encore piece.
And with that it was time to head off into the darkness in the search of home, drums and guitars still pulsating in our chests.
Read the original article: http://kustomkultureaustralia.com/2011/05/28/gig-review-the-atlantics-at-the-vault/
Sunday Performer – The Atlantics (15/5/11)
15/05/2011 , 10:58 AM by june cowle
California may have had the Beach Boys and Jan and Dean, but back in the day when Surf Music was all the rage, Australia had the Atlantics.
Download the audio file
They split for several years but reformed back in 1999 thanks to guitarist Martin Cilia.
This month, the group released their latest album “The collectibles” a collection of their songs between 1966 and 2010, including a couple of rare recordings.
On Sunday Original Atlantic Drummer, Peter Hood and the boys spoke to Philip Clark about those early days.
Original article: http://blogs.abc.net.au/nsw/2011/05/sunday-performer-the-atlantics-15511.html